Early support from The Guardian (Band Of The Week), The Quietus, Stewart Lee, The Line Of Best Fit, Prog Magazine, Ransom Note + more
Bio / Press Release from comedian/writer Stewart Lee:
I’m nearly 50. I don’t know what’s going on anymore, I’ll admit. The internet’s availability of all sources ever simultaneously has destroyed my understanding of cultural development as a logical progression. All music is time travel, forward and backward both at once, now.
But three years go my friend Simon Oakes, of prog-psych conceptualists Suns Of The Tundra, directed me to a Youtube clip of The Physics House Band. Impossibly youthful looking, and sounding like vintage Seventies stadium-prog behemoth, a Yes or a Rush, but stripped of any errors of taste and judgment, fed amphetamines, made ashamed of their record collections, slapped in front of the whole school, immersed instead in post-rock procedure and practise, and made to apply their obvious talent and ability to a more worthwhile end than their forebears.
Three years on here’s their second album, a super-dense sci-fi mindfuck of a thing, music scholarship charity case keyboards in combat with squally spacerock guitars, dub boom bass and multi-time-sig clatter; a territory staked out over mushrooms at break-time, on the top floor of the multi-story car park, overlooking the ‘70s Bauhaus shopping centre concrete functional fountain square, but now gone all Escher in the aftermath, like a black and white architectural schematic drawing dipped in tie-dye.
Mercury Fountain doesn’t stop, a twenty nine minute surge of tracks that it would be a crime to split apart, the kind of part work The Physics House Band’s progenitors aimed at but never quite produced, settling instead for gatefold sleeves that gave the illusion of structure and intent; a fulfillment of the Red-era King Crimson manifesto, channeled by boy-conduits that needn’t have even have known the source documents, learning their lessons instead from hints woven into the post-punk works of Radiohead, Tortoise, The Mars Volta and 21st century sub-krautrock.
Mercury Fountain loads you into a water canon and shoots you out through its intermingled opening tracks, the group finally allowing you a pause for breath at the half way point, during A Thousand Small Spaces; and then you’re kicked out of the airlock back into the Negative Zone again in Obidant, the laws of physics in reverse, Newton’s apples flying upwards past your grasping fists, your hair on end, arching to follow them, until you’re finally abandoned into the techtonic drift of Mobius Strip II.
It’s a two black Americano experience that makes me wish I still had pin-sharp hearing to lose. Another minute would be too much.
- Stewart Lee
The Physics House Band are:
Bass Guitar, Electric Guitar, Synthesisers, Organ, Vibraphone, Keyboards, Piano, Midi Programming
Electric Guitar, Acoustic Guitar, Piano, Keyboards, Organ, Synthesisers
All tracks composed and performed by
Samuel Organ, Adam Hutchison, Dave Morgan
AKA The Physics House Band
Produced by Raven Bush, Joel Magill & The Physics House Band
Recorded at Wicker Studios with Raven Bush & Joel Magill
Drums recorded at Small Pond with Mark Roberts
Saxophone at BB Studios with Zee Gachette
Synth re-amping at home with Jimi Maffei
Mixed by Mark Roberts
Mastered by James Bragg
Artwork by Luke O'Brien & The Physics House Band
David Gillespie, Joel Magill, Raven Bush, Mark Roberts, Ash Gardener, Vladzimir Matveikov, Dave Jackson, Joe Caple, Liam McMillan, Sam Coveney, George McKenzie, Hebe Jones, Simon Morley, Helen Plumb, Debbie Clare, Amy Brown, Ben Brown, Zee Gachette, Jimi Maffei, Josh Trinniman, Luke O'Brien, Lily Gray, Stewart Lee, Jake Keeble + all our friends and family
If you liked this, why not check out some of the other great bands we release on Small Pond - including great releases from The Physics House Band, Luo, Town Portal, Alarmist + more The Physics House Band
supported by 85 fans who also own “Mercury Fountain”
As is their M.O., The Physics House Band have put out another stellar, albeit quite brief, release. This 15-minute EP is built around a singular dark riff and features strong interplay between the keys, guitar, and sax.
Full review here: https://wp.me/pawrNb-3H TheEliteExtremophile
supported by 80 fans who also own “Mercury Fountain”
I feel like this is the best way to experience The Physics House Band - in a live format. All the songs here have a raw, kinetic power that, while not missing from the originals, was less... obvious.
In addition to the way they sound, the band also performs most of their material on this - Death Sequence is performed in full, along with most of Mercury Fountain. They're fiery performances, and all musicians shine. Really dig the wealth of vintage keys, as well. Smekermann